The latest issue: Issue #6!
Issue #6 - scheduled to launch in December 2023 - features the work of the following artists:
Morganna Magee (AUS) explores the philosophy of deep time by photographing undeveloped land in Nerre Nerre Warren Park near her home in Australia;
Through creating chlorophyll prints of her old train tickets, Nettie Edwards (UK/Romany) explores personal and universal definitions of freedom;
Judyta Grudzien (US/Poland) delves into issues of class and visibility in relation to employment in her chemigram and altered color film project "We Love You;"
Brent Mathison (US) explores the concept - and tensions - of "home" and how we form deep connections with place in his platinum/palladium series "Hometown;"
Susan Patrice (US) draws a line between family lineage, generational trauma, and the landscape in her multi-process series "The Land of My Body;"
In Conversation features the work of Leah Frances (US/CAN) and Octavia Sharp (US), whose color images of retro architecture - diners and funeral homes, respectively - address deeper societal issues such as the political divide and the disappearance of family-run businesses.
Morganna Magee (AUS) explores the philosophy of deep time by photographing undeveloped land in Nerre Nerre Warren Park near her home in Australia;
Through creating chlorophyll prints of her old train tickets, Nettie Edwards (UK/Romany) explores personal and universal definitions of freedom;
Judyta Grudzien (US/Poland) delves into issues of class and visibility in relation to employment in her chemigram and altered color film project "We Love You;"
Brent Mathison (US) explores the concept - and tensions - of "home" and how we form deep connections with place in his platinum/palladium series "Hometown;"
Susan Patrice (US) draws a line between family lineage, generational trauma, and the landscape in her multi-process series "The Land of My Body;"
In Conversation features the work of Leah Frances (US/CAN) and Octavia Sharp (US), whose color images of retro architecture - diners and funeral homes, respectively - address deeper societal issues such as the political divide and the disappearance of family-run businesses.
$
16.00
Issue #5!
Issue #5 was released in the summer of 2023 and features work by the following artists:
Em White (US) uses wet plate collodion and ortho lith film to document the water network linked to the James River in Central Virginia, the geological feature that anchors White most to a sense of home;
Solange Adum Abdala (Peru) bleaches color images in order to create an analogy around climate change through material alteration and drawing parallels between the photographs' resiliency and that of the planet;
In her series ROAMING, Vaune Trachtman (US) explores her lifelong feeling of rootlessness and connection to the architectural features that briefly inhabit the view outside of moving vehicles;
While spending time in her childhood home, Virginia Woods-Jack (UK/Aotearoa NZ) made Polaroid images of and in the River Lune, a dark and ancient waterway with which Woods-Jack has a complicated relationship;
When the shelter-in-place order was in effect in California, Ashima Yadava (India/US) collaborated with people in her community by creating portraits in their front yards and having them embellish the prints in a way that best expressed themselves and their families;
In Conversation features the work of two pairs of collaborators dealing with the passage of time and space in their work: Jeff McConnell & Diana Pankova, whose Solar Crossworlds project consists of double exposed solargraphs that have been mailed from one collaborator to the other, and Scott McMahon & Ahmed Salvador who drastically alter the film that they ship back and forth in Light and Chemical Correspondence.
Em White (US) uses wet plate collodion and ortho lith film to document the water network linked to the James River in Central Virginia, the geological feature that anchors White most to a sense of home;
Solange Adum Abdala (Peru) bleaches color images in order to create an analogy around climate change through material alteration and drawing parallels between the photographs' resiliency and that of the planet;
In her series ROAMING, Vaune Trachtman (US) explores her lifelong feeling of rootlessness and connection to the architectural features that briefly inhabit the view outside of moving vehicles;
While spending time in her childhood home, Virginia Woods-Jack (UK/Aotearoa NZ) made Polaroid images of and in the River Lune, a dark and ancient waterway with which Woods-Jack has a complicated relationship;
When the shelter-in-place order was in effect in California, Ashima Yadava (India/US) collaborated with people in her community by creating portraits in their front yards and having them embellish the prints in a way that best expressed themselves and their families;
In Conversation features the work of two pairs of collaborators dealing with the passage of time and space in their work: Jeff McConnell & Diana Pankova, whose Solar Crossworlds project consists of double exposed solargraphs that have been mailed from one collaborator to the other, and Scott McMahon & Ahmed Salvador who drastically alter the film that they ship back and forth in Light and Chemical Correspondence.
$
16.00
Issue #4
Issue #4, which launched in December 2022, features the work of the following artists:
DM Witman (US) prints archive images of icebergs using the salt printing and gum bichromate processes in her project "Arctic Elegy" to create a space for grief and mourning in relation to climate change.
In his series "Resource Extraction," Tony Bellaver (US) imparts gravitas upon his striking images of clear cut areas of the Pacific Northwest by printing them using the platinum/palladium process.
Cole Caswell (US) explores place and the passage of time in his wet plate series "Rise," which features ethereal images of the Maine coast.
While exploring the north of Spain in search of the Basque goddess Mari, Cristina Fontsare's (ES) chemically-altered Polaroids depict a world that blends the physical and mythological, the contemporary and ancient.
Joshua White's (US) series "Further West" features wet plate images sourced from the HiRISE camera on Mars and links past and present attitudes toward expansionism and Manifest Destiny.
In Conversation features the work of Alice Duncan (AU) and Sara Tautuku Orme (NZ) who use different photographic styles and processes (color film and Polaroid, respectively) to explore issues of self-determination, representation, and the role photography can play in colonization.
(All prices are in US Dollars)
DM Witman (US) prints archive images of icebergs using the salt printing and gum bichromate processes in her project "Arctic Elegy" to create a space for grief and mourning in relation to climate change.
In his series "Resource Extraction," Tony Bellaver (US) imparts gravitas upon his striking images of clear cut areas of the Pacific Northwest by printing them using the platinum/palladium process.
Cole Caswell (US) explores place and the passage of time in his wet plate series "Rise," which features ethereal images of the Maine coast.
While exploring the north of Spain in search of the Basque goddess Mari, Cristina Fontsare's (ES) chemically-altered Polaroids depict a world that blends the physical and mythological, the contemporary and ancient.
Joshua White's (US) series "Further West" features wet plate images sourced from the HiRISE camera on Mars and links past and present attitudes toward expansionism and Manifest Destiny.
In Conversation features the work of Alice Duncan (AU) and Sara Tautuku Orme (NZ) who use different photographic styles and processes (color film and Polaroid, respectively) to explore issues of self-determination, representation, and the role photography can play in colonization.
(All prices are in US Dollars)
$
16.00
Issue #3
Issue #3 features the work of the following artists:
Wen-Hang Lin (US/Taiwan), whose color images of a reflective and disorienting human form depict how it can feel to be an immigrant living in the United States;
Marianthi Lainas (UK), whose embellished cyanotypes express her deep connection to the segment of the Northwest England coast she calls home;
Ky Lewis (UK), whose chemically-altered pinhole images shot on x-ray film explore the connections between landscape, history, and memory;
Yasu Matsumoto (Japan), whose cut and reassembled silver prints from glass negatives are toned in a "soup" containing material from the forests he photographs; and
Sebastien & Louise (UK), whose extensive travels in Asia ultimately led them back to England and its extensive canal system in a search for community.
In Conversation includes the work of Melanie King (UK), whose work explores the celestial origins and the reclamation/reuse of the noble metals found in light sensitive materials, and Anne Arden McDonald (US), whose cameraless work reflects upon concepts of the universal and the macro and the artist's relationship with her materials.
(All prices are in US Dollars)
Wen-Hang Lin (US/Taiwan), whose color images of a reflective and disorienting human form depict how it can feel to be an immigrant living in the United States;
Marianthi Lainas (UK), whose embellished cyanotypes express her deep connection to the segment of the Northwest England coast she calls home;
Ky Lewis (UK), whose chemically-altered pinhole images shot on x-ray film explore the connections between landscape, history, and memory;
Yasu Matsumoto (Japan), whose cut and reassembled silver prints from glass negatives are toned in a "soup" containing material from the forests he photographs; and
Sebastien & Louise (UK), whose extensive travels in Asia ultimately led them back to England and its extensive canal system in a search for community.
In Conversation includes the work of Melanie King (UK), whose work explores the celestial origins and the reclamation/reuse of the noble metals found in light sensitive materials, and Anne Arden McDonald (US), whose cameraless work reflects upon concepts of the universal and the macro and the artist's relationship with her materials.
(All prices are in US Dollars)
$
16.00
Issue #2
Issue #2 features the work of the following artists:
Eric Kunsman (US), whose black and white images of pay phones provide commentary on social markers and the misrepresentation of the neighborhoods in which these once-ubiquitous objects exist;
Jo de Banzie (UK), whose wet plate series Harvest consists of images of war-related objects juxtaposed with images of items harvested from a fictitious war garden;
Lang (US), whose geometrically-dodged silver prints reflect the feeling of containment he experienced when visiting national parks in the US during lockdown;
Ingrid Newton (UK), whose platinum/palladium prints of Venice provided her with a sense of escapism during lockdown but also reflect the pandemic experience through depictions of a depopulated city; and
Gudmundur Oli Palmason (Iceland), whose altered Polaroids of abandoned human detritus and desolate landscapes examine man's relationship with the land and rural-to-urban migration.
In Conversation features the work of Citlali Fabian (Mexico) and Shane Balkowitsch (US), who use the wet plate collodion process to create portraits of indigenous communities from different perspectives but with a focus on collaboration and representation.
(All prices are in US Dollars)
Eric Kunsman (US), whose black and white images of pay phones provide commentary on social markers and the misrepresentation of the neighborhoods in which these once-ubiquitous objects exist;
Jo de Banzie (UK), whose wet plate series Harvest consists of images of war-related objects juxtaposed with images of items harvested from a fictitious war garden;
Lang (US), whose geometrically-dodged silver prints reflect the feeling of containment he experienced when visiting national parks in the US during lockdown;
Ingrid Newton (UK), whose platinum/palladium prints of Venice provided her with a sense of escapism during lockdown but also reflect the pandemic experience through depictions of a depopulated city; and
Gudmundur Oli Palmason (Iceland), whose altered Polaroids of abandoned human detritus and desolate landscapes examine man's relationship with the land and rural-to-urban migration.
In Conversation features the work of Citlali Fabian (Mexico) and Shane Balkowitsch (US), who use the wet plate collodion process to create portraits of indigenous communities from different perspectives but with a focus on collaboration and representation.
(All prices are in US Dollars)
$
16.00
Issue #1
Issue #1 features the work of the following artists:
Yoav Horesh (US/Israel), whose black and white images of Civil War monuments explore the relationship such objects have with the space they hold and the communities that come in contact with them;
David Emitt Adams (US), whose wet plate images of oil refineries exposed directly onto oil drum lids address issues such as consumption, energy and its sources, and the effect extraction has on the land;
Anne Eder (US), who uses historic processes to explore an endangered barrier reef of the coast of Massachusetts and incorporates the landscape itself - in the form of sea water - into her images;
Liz Harrington (UK), whose cyanotypes created in the waters of the East of England coastline address themes of transience, fragility, and the traces left by the past; and
Ella Morton (Canada), who alters her color film through the introduction of various liquids in an effort to create images whose appearance reflects the dissolution of the landscapes she photographs.
In Conversation features the work of Jackie Neale (US) and Rashod Taylor, (US) who explore their complicated relationships with the country they call home through imagery of the American flag using cyanotype and wet plate respectively.
(All prices are in US Dollars)
Yoav Horesh (US/Israel), whose black and white images of Civil War monuments explore the relationship such objects have with the space they hold and the communities that come in contact with them;
David Emitt Adams (US), whose wet plate images of oil refineries exposed directly onto oil drum lids address issues such as consumption, energy and its sources, and the effect extraction has on the land;
Anne Eder (US), who uses historic processes to explore an endangered barrier reef of the coast of Massachusetts and incorporates the landscape itself - in the form of sea water - into her images;
Liz Harrington (UK), whose cyanotypes created in the waters of the East of England coastline address themes of transience, fragility, and the traces left by the past; and
Ella Morton (Canada), who alters her color film through the introduction of various liquids in an effort to create images whose appearance reflects the dissolution of the landscapes she photographs.
In Conversation features the work of Jackie Neale (US) and Rashod Taylor, (US) who explore their complicated relationships with the country they call home through imagery of the American flag using cyanotype and wet plate respectively.
(All prices are in US Dollars)
$
16.00